Abstract:
The Ramayana, the ancient epic depicting the story of Rama and Sita, has been widely
recognized as a cultural text that shapes itself in different forms as a response to the time period
of revision. Revisionary literature often carries the purpose of disseminating certain ideologies.
Many of them promote the mission of subverting the legitimized notion of patriarchy which
silences women. By giving voice to the women who are denied of expressing their perspective,
revisionary writings provide a fresh dimension of the story that the reading public is familiar with.
Kumaran Asan’s Chinthavishtayaya Sita, the poem, written in Malayalam in 1919 set a new era in
Malayalam literature with the novelty of the theme and approach to the Ramayana that the text
adopted. The current study examines the methods adopted by the writer to problematize patriarchal
concepts used in the epic. Also the modes of subversion employed by the writer and the context
that initiated such a revisionary writing will also come under the purview of this analysis.